Style Corner: The Uncomfortable World of Speech Punctuation

I’ll admit straight up: speech and quote punctuation is one of my blind spots. It always has been, from the moment I started retraining as a proofreader and copy editor.

It is one of those things where there seem to be so many equally valid variations, and small ones that either matter or don’t. How are we to know which, from a logical point of view?

This blog attempts to bring some sense to the disorder.

To start with, what are the areas of variation?

A Changing of the Guard?

[Note on the author: Nick Durrant is a paraplanner and Chartered Financial Planner. Nick is currently a student on the City, University of London Writing for Business short course, which started in January 2018. This blog was created as part of a homework/in-class exercise on that course.]

Emmanuel Macron’s impressive rise to the French Presidency can, with the right mix of ingredients, be repeated elsewhere. Britain could be first.

On a cool Amiens evening in April 2016 Emmanuel Macron launched a new political movement – En Marche! – in front of a small, attentive audience. It was, he said, to be a party that was neither “of the right nor the left”, offering a new form of politics, different from the traditional parties. It worked. Thirteen months later twenty million French men and women voted him as their president.

The stratospheric rise to power of En Marche! can be dismissed as a one off event, never to be repeated in western politics. But there are signs in Britain (where two parties have provided every prime minister for 100 years) that the traditional system could also be threatened by new political movements. Five key trends show why.

Style Corner: The Oxford and Other Commas

In a December 2017 edition of Style Corner I denounced the so-called comma splice – the practice of using a comma to separate two full sentences – with the simple advice “don’t do it” (at least in business writing).

Then someone kindly reminded me that in July 2016 I’d written another piece which suggested I was actually quite relaxed about the comma splice.

It was true. I had, and (at the time) was. I’ve now changed my mind, at least so far as business writing is concerned. So in case you’re wondering, I have amended that earlier blog and removed the offending, excessively liberal sentiment.

Then, in another valid challenge, I was reminded that some of the finest lines in English literature are actually comma splices. Dickens was not a bad writer, most would agree. “It was the best of times, it was the worst of times” – not a bad start to a novel!

With both challenges in mind, perhaps the proscription shouldn’t have been quite as definitive as I suggested in my December blog.

This blog goes on to talk about some other realms of comma usage, including the serial (Oxford) comma and other uses.

Bridge and Water

A Sound Experiment: Writing By Voice And Ear Alone

This blog is a sound experiment.

It will be written entirely by voice recognition – with keyboard-based editing at the end – and it will be written in less than an hour.

I don’t know how many words it will be but I am aiming for 1000. Another aim is to achieve a plain English standard based on Flesch readability metrics – without trying too hard.

I have two main objectives: (1) to test the efficiency of writing by voice recognition alone; (2) to see if the ‘sound test’ really does work. I am always telling my City, University of London students to listen out loud to their own work, to hear themselves reading it back. Is the ear really a better judge than the eye? Maybe I will know more by the end of this blog.

I’ll share some of my thoughts on that at the end and I hope you will give me yours too.